Patricia Stamp Photo Art
  • Fine Art Photography by Patricia Stamp
  • About Patricia Stamp
  • Consulting Services
  • Matte Canvas Prints
  • Framed Fine Art Archival Prints
  • "Eight By Ten Art"
  • Cards
  • "London Wetlands: The Beauty of Waterfowl" - a series for the Heliconian photography exhibition "Luminous 2019"
  • "Vessels of the Fishers" - a series for the Heliconian photography exhibition "Luminous," May 2018
  • “The Light on the Rock: Bauline, Newfoundland” - a series for the Heliconian photography exhibition "Luminous," May 2017
  • Lanzarote: Manrique and the Volcanoes" Canary Islands - a series for the Heliconian exhibition "Transitions," October 2016
  • "The Original Element: Underwater in Belize and the Maldives" - a series for the Heliconian photography exhibition "Elemental Light," May 2016
  • Solo Show: "Five Continents: Images from the Margins" - Heliconian Hall, 2015
  • "The Light in Their Eyes" - a series for the Heliconian photography exhibition "Sentient Light," May 2015
  • "The Camera's Paintbrushes" - a series for the Heliconian photograpy exhibition "Encounters With Light, 2014
  • North York Visual Artists' Annual Exhibitions: Home Studio 2012; Toronto Botanical Garden 2013 and 2014, Lawrence Park Community Church 2015
  • Scarborough Arts annual juried shows: "Ego" (2012), "Childsight" (2013), and "Word Lens" (2015)
  • Other Past Shows
  • Contact
Picture

My exhibition of photographs in November 2015, entitled “Five Continents: Images from the Margins,” was terrific!  Sixty four pictures, on canvas and and in fine art framed prints, filled the beautiful Heliconian Hall, organized by continent.


An unconscious theme in my travels to Africa, Europe, Asia and the Americas has been my attraction to the edges of things. I search out the remote places of countries and continents; the borders of homesteads and communities; the interface of elements – rock, plant, water, sky – and the space between species, especially people and animals. The pictures are not about societal or economic margins, or human sorrow, though I have devoted an academic career to understanding these.  Rather, they are about the beauty to be found on the margins of place, time and mind, seen straight on, or from the corner of my eye. The full exhibition is to be displayed here, and a coffee-table book produced, in 2017.